Portal:Arts

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The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing artsmusic, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.

Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.

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The Fountain of Time in 1920
Fountain of Time is a sculpture by Lorado Taft, measuring 126 feet 10 inches (38.66 m) in length, at the western edge of the Midway Plaisance within Washington Park in Chicago's South Side. Inspired by Henry Austin Dobson's "Paradox of Time" and with its 100 figures passing before Father Time, Time is a monument to the first 100 years of peace between the United States and Great Britain, resulting from the Treaty of Ghent in 1814. The fountain began running in 1920 and was dedicated in 1922. It contributes to the National Register of Historic Places Washington Park Historic District. Part of a larger beautification plan for the Midway Plaisance, Time was constructed from a new type of molded, steel-reinforced concrete that was claimed to be more durable and cheaper than alternatives, making it the first of any kind of finished works of art made of concrete. Before Millennium Park, it was considered the most important installation in the Chicago Park District. Time is one of several Chicago works funded by Benjamin Ferguson's trust fund. During the late 1990s and early 21st century it underwent repairs that corrected many of the problems caused by earlier restorations.

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Louis-Marie Autissier
Credit: Louis-Marie Autissier

A self-portrait of Louis-Marie Autissier (1772–1830), a French-born Belgian portrait miniature painter. He is considered the founder of the Belgian school of miniature painting in the nineteenth century. Born at Vannes, in Brittany, he joined the French Revolutionary Army at Rennes in 1791. On leaving the army in 1795, Autissier went to Paris and trained his art by studying paintings at the Louvre. In 1796 he settled in Brussels, but continued to divide his time between Belgium, the Netherlands, and France. Although he enjoyed great success in his career, serving as court painter to Louis Napoleon, French King of the Netherlands, and later to Willem I, Autissier died penniless.

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Class II 1804 Silver Dollar

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Portrait of Charles Holden by Benjamin Nelson, 1910
Charles Holden (1875–1960) was an English architect better known for designing many London Underground stations during the 1920s and 1930s, for Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and for the University of London's Senate House. He also created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission. His architecture is widely viewed and appreciated. He won the Royal Institute of British Architects' Royal Gold Medal for architecture in 1936 and was appointed a Royal Designer for Industry in 1943. His station designs for London Underground became the corporation's standard design influencing designs by all architects working for the organisation in the 1930s. Many of his buildings have been granted listed building status, protecting them from unapproved alteration. Due to his modesty and belief in the team effort of his fellow architects, he declined twice the offer of a knighthood.

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Robert Redford
Robert Redford, 1997

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