Zo (album)

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Zo
File:Zo Matthew Shipp Cover.jpg
Studio album by Matthew Shipp
Released 1994
Recorded May, 1993
Seltzer Sound, New York
Genre Jazz
Length 49:55
Label Rise Records
2.13.61
Matthew Shipp chronology
Circular Temple
(1992)Circular Temple1992
Zo
(1994)
Critical Mass
(1995)Critical Mass1995

Zo is an album by American jazz pianist Matthew Shipp with bassist William Parker, which was recorded in 1993 and released on the tiny label Rise Records. The album was reissued in 1997 by the 2.13.61 label, founded by Henry Rollins, in partnership with Thirsty Ear Recordings.

Music

Shipp states that this is a tribute to his favorite modern pianist Andrew Hill.[1] In his book Visions of Jazz: The First Century, Gary Giddins says about Zo, "His duets with the highly original and seemingly omnipresent William Parker, form a suite with a pensive reharmonized "Summertime" as the second of four movements, and Shipp's hammering single notes and his chordal harmonies in part three show how fastidiously he control his material while charting his own course."[2]

Reception

Professional ratings
Review scores
Source Rating
The New Rolling Stone Album Guide 4/5 stars[3]
Allmusic 3/5 stars[4]
The Penguin Guide to Jazz 3/4 stars[5]

In his review for AllMusic, David R. Adler states "It's a dark, forbidding affair, although the solo piano openings of 'Zo, No. 2' and 'Zo, No. 3,' beautiful in their angularity, provide some breathing room."[4]

The Penguin Guide to Jazz says that "Zo seems more specifically experimental in that Shipp and Parker seem to want to plunge into the darkest (and sometimes the dreariest) corners they can find, deep left-hand chords set on top of juddering bass vamps."[5]

Track listing

All compositions by Matthew Shipp except as indicated
  1. "Zo #1" – 10:24
  2. "Summertime" (George Gershwin) – 12:01
  3. "Zo #2" – 13:28
  4. "Zo #3" – 14:02

Personnel

References

  1. Original Liner Notes by Steve Dalachinsky
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  4. 4.0 4.1 Adler, David R.. Matthew Shipp – Zo: Review at AllMusic. Retrieved March 6, 2014.
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