Rome & Jewel

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Rome & Jewel
File:Rome&Jewel2.jpg
Theatrical release poster
Directed by Charles T. Kanganis
Neil Bagg
Produced by Charles T. Kanganis
Written by Charles T. Kanganis
Based on Romeo and Juliet
by William Shakespeare
Starring Nate Parker
Lindsey Haun
Allen Maldonado
Elijah Kelley
Cleavant Derricks
John Rubinstein
Music by Eric Monsanty
Cinematography John Buckley
Edited by Lee Grubin
Distributed by Emerging Pictures
Release dates
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  • February 22, 2006 (2006-02-22)
Running time
 90 minutes
Country United States
Language English
Box office $470

Rome & Jewel is a 2006 hip-hop musical adaptation of William Shakespeare's Romeo and Juliet set in Los Angeles that deals with interracial love. The film stars Nate Parker as Rome and Lindsey Haun as Jewel. The 2008 re-release had modest box office results and mostly negative critical commentary.

Plot

Compton-native Rome (Nate Parker) is the son of Reverend Q (Cleavant Derricks) and yearns for Jewel (Lindsey Haun), the daughter of Los Angeles Mayor Capps (John Rubinstein) who lives in Beverly Hills.

Using reworked dialogue from the play such as "deep inside I’m tender/sweeter than Splenda/and if you must know the truth/my heart's not bulletproof" Rome woos Jewel, despite his father's wishes that he avoid upper-class white women after he meets her at her sweet 16 party. It is love-at-first-sight over a shared rap discourse and the duo have a quick wedding in Las Vegas. After a tragic ending befalls the teens, the fathers come to a realization that color should not distinguish humanity.

Cast

Release

The film was released for theatrical presentation on February 22, 2006[1] and November 28, 2008 and released on DVD on March 9, 2010.[2] Its 2008 re-release was in one theater for one week earning $470.[3]

Critical commentary

Aaron Hillis of The Village Voice described the movie as a "soapy, contemporary L.A.-set adaptation".[4] Nathan Lee of The New York Times said the film was "a retrograde, thoroughly schematic conflict between rich, snooty white kids and working-class blacks".[5] Robert Koehler, writing for Variety, said it was a "tone-deaf and culturally silly adaptation, which pits Beverly Hills whites against Compton blacks".[6] Lee also indicated that the divisiveness was a bit contrived and that the film breathes life into the socioeconomic consideration it hopes to fight.[5]

Notes

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External links

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