Portal:Religion

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For a topic outline on this subject, see Outline of religion

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Ecclesiastical heraldry is the tradition of heraldry developed by Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Roman Catholic Church, where most bishops, including the Pope, have a personal coat of arms. Similar customs are followed by clergy in the Anglican Church, the Lutheran Church, the Eastern Rite Catholic Churches, and the Orthodox Churches. Institutions such as schools and dioceses bear arms called impersonal or corporate arms.

Ecclesiastical heraldry differs notably from other heraldry in the use of special symbols around the shield to indicate rank in a church or denomination. The most prominent of these symbols is the ecclesiastical hat, commonly the Roman galero or Geneva Bonnet. The color and ornamentation of this hat carry a precise meaning. Cardinals are famous for the "red hat", but other offices are assigned a distinctive hat color. The hat is ornamented with tassels in a quantity commensurate with the office.

The papal coat of arms has its own heraldic customs, primarily the Papal Tiara (or mitre), the keys of Saint Peter, and the ombrellino (umbrella). Institutional arms have slightly different traditions, using the mitre and crozier more often than personal arms.

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The Introit Gaudeamus omnes, scripted in square notation in the 14th–15th century Graduale Aboense, honors Henry, patron saint of Finland.
Credit: Turku

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church.

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Ayya Vaikundar, is termed as formless; and so a seat(asana) is placed in the worship centers as if Vaikundar is seated Omnipresent on it.
Ayya Vaikundar (Tamil: அய்யா வைகுண்டர்), according to Akilattirattu Ammanai, a scripture of the Ayyavazhi, was a Manu (father, sovereign) avatar (the incarnation of a deity) of Narayana. As per the Ayyavazhi mythology the body in which Ayya Vaikundar incarnated is that of Mudisoodum Perumal.

He is referred to as Sampooranathevan, a deva, in the religious book Akilam. However the exact date of birth of Mudisoodum Perumal was unknown. The Akilattirattu Ammanai mention that when the body of Mudisoodum Perumal is taken into the sea he was 24 years old. In that sense it was predicted as 1809 and in history there are different views about the year of birth. But some historians opinions it as 1810 while others follow the view of Akilam. Any way the exact day and month of birth was unknown. According to Akilam, the avatar of Vaikundar took place in Three phase. The first stage of Avatar was the born dead child (birth of the Body). Next, immediately the soul of Sampooranathevan was installed into the body , along with the Spirit of Narayana kept in Parvatha Ucchi Malai after the completion of the Krishna Avatar. This was the second stage of the Avatar. Then in the sea (during the 24th year in 1833), the soul of Sampooranathevan was granted moksha, unified to the Ultimate Soul. Now, the Spirit of Narayana along with the Ultimate Soul (Paramatma) incarnated in the body of a human being (Muthukutty). This is the third stage of Avatar and from then he was called Ayya Vaikundar.

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The breeze at dawn has secrets to tell you; Don't go back to sleep. You must ask for what you really want; Don't go back to sleep.

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Bagua with name and nature
The I Ching (also spelled Yi Jing, Yijing, or Yi King ; also called "Book of Changes" or "Classic of Changes") is the oldest of the Chinese classic texts. A symbol system designed to identify order in what seem like chance events, it describes an ancient system of cosmology and philosophy that is at the heart of Chinese cultural beliefs. The philosophy centers on the ideas of the dynamic balance of opposites, the evolution of events as a process, and acceptance of the inevitability of change (see Philosophy, below). In Western cultures, the I Ching is regarded by some as simply a system of divination; many believe it expresses the wisdom and philosophy of ancient China.

The book consists of a series of symbols, rules for manipulating these symbols, poems, and commentary.

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