Marnie Weber
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| Marnie Weber | |
|---|---|
| Born | 1959 Bridgeport, Connecticut, U.S. |
| Nationality | American (United States) |
| Education | University of Southern California, University of California |
| Known for | sculpture, film, photography |
Marnie Weber (born 1959) is an American artist who lives and works in Los Angeles. Her work includes photography, sculpture, installations, film, video, and performances. She is also a musician.[1]
Life and work
Marnie Weber was born in Bridgeport, Connecticut, U.S.. She studied at the University of Southern California, Los Angeles, CA, and received her B.A. from University of California, Los Angeles.
Much of Weber's visual art revolves around a recurring cast of characters. An animal often found in her work is the bear, which is linked to the Greek goddess Artemis.[2] These characters, among others, are placed in "vividly colorful environment[s]",[3] ornate, Empire style interiors or dark, dense, eerie landscapes. Her work most often focuses on the adventures of women, which sometimes take the form of half-human, half-animal hybrids with bodies cut from pornographic magazines, and other times, pale-faced, folksy ghosts known as "Spirit Girls".[4]
Marnie Weber's work is featured on the cover of the 1998 Sonic Youth album A Thousand Leaves.
The Spirit Girls is the name of Marnie Weber's alt-rock musical group and also refers to a group of characters that are found in her art. "[They] are the specters of five adolescents, killed in their prime, who come back to the real world to 'express things they weren't able to express' while they were alive."[5]
Weber has also performed and recorded with The Party Boys (US-band) and The Perfect Me. She has two solo albums, Woman with Bass, 1994 and Cry for Happy, 1996, both recorded as "Marnie". In 2004, a compilation of her work was released entitled Songs Forgotten: The Best of Marnie 1987 - 2004.[6]
She is married to the Los Angeles based artist Jim Shaw.
Her work has been associated with New Gothic Art.[7]
Collections
- Museum of Contemporary Art, Los Angeles, CA, US
- Los Angeles County Museum of Art, Los Angeles, CA, US
- Neuberger Berman Inc., New York, NY, US
- Progressive Corporation, Mayfield, OH, US
- Fond National d'Art Contemporain (FNAC), FR [8]
Notes and references
- ↑ http://marnieweber.com/Bio.html
- ↑ Kristina Newhouse, "Girls Gone Wild," X-TRA, Volume 10 Number 2, Winter 2007, p. 21
- ↑ Julie Joyce, "Too Fast to Live, Too Young to Die" in "Marnie Weber: From the Dust Room" catalogue, Harriet and Charles Luckman Fine Arts Complex, Cal State University, Los Angeles, 2005, p. 7
- ↑ http://www.bbc.co.uk/dna/collective/A2987193
- ↑ Doug Harvey, "Spirits rock among us: A studio visit with Marnie Weber," LA Weekly, August 11, 2005, p.1
- ↑ http://marnieweber.com/discography.html
- ↑ Gavin, Francesca. Hell Bound: New Gothic Art. London: Laurence King Publishing, 2008.
- ↑ http://www.praz-delavallade.com/artists/Marnie_Weber/biography.html?from=artist_id#13
Further reading
- References for all exhibitions, screenings, and performances
- Christopher Miles, "Marnie Weber at Patrick Painter Inc," Artforum, XLVI, No. 1, September 2007, pp. 477–478
- Ute Thon. “Gemischtwarenladen der Gehobenen Klasse,” Art Das Kunstmagazin.de, October 2007.
- Micol Hebron. “Critic’s Picks Los Angeles: Marnie Weber,” Artforum.com, May 2007.
- Mary Barone. “Out at Frieze,” Artnet.com, October 2007.
- Hunter Drohojowsha-Philpr. “That’s The Spirit,” Artnet.com, May 23, 2007.
- Annie Buckley. “Spirit Girl,” Craft: transforming traditional crafts, Vol. 04, 2007, pp. 60–62
- “Fantasy Freaky: Marnie Weber,” Dazed & Confused, April, 2007
