Cass Gilbert

Not to be confused with American architect C.P.H. Gilbert

Cass Gilbert
Gilbert in 1907
Born	(1859-11-24)November 24, 1859 Zanesville, Ohio, U.S.
Died	Brockenhurst, England
Nationality	American
Occupation	Architect
Awards	President, American Institute of Architects, 1908-09
Buildings	Woolworth Building, United States Supreme Court building

Cass Gilbert (November 24, 1859 – May 17, 1934) was a prominent American architect. An early proponent of skyscrapers in works like the Woolworth Building, Gilbert was also responsible for numerous museums (Saint Louis Art Museum) and libraries (Saint Louis Public Library), state capitol buildings (the Minnesota, Arkansas and West Virginia State Capitols, for example) as well as public architectural icons like the United States Supreme Court building. His public buildings in the Beaux Arts style reflect the optimistic American sense that the nation was heir to Greek democracy, Roman law and Renaissance humanism. Gilbert's achievements were recognized in his lifetime; he served as president of the American Institute of Architects in 1908-09.

Gilbert was a conservative who believed architecture should reflect historic traditions and the established social order. His design of the new Supreme Court building (1935), with its classical lines and small size contrasted sharply with the very large modernist Federal buildings going up along the National Mall in Washington, D.C., which he disliked.

Heilbrun says "Gilbert's pioneering buildings injected vitality into skyscraper design, and his 'Gothic skyscraper,' epitomized by the Woolworth Building, profoundly influenced architects during the first decades of the twentieth century." Christen and Flanders note that his reputation among architectural critics went into eclipse during the age of modernism, but has since rebounded because of "respect for the integrity and classic beauty of his masterworks."

Early life

Gilbert was born in Zanesville, Ohio, the middle of three sons, and was named after the statesman Lewis Cass, to whom he was distantly related. Gilbert's father was a surveyor for the United States Coast Survey. At the age of nine, Gilbert's family moved to St. Paul, Minnesota, where he was raised by his mother after his father died. He attended preparatory school but dropped out of Macalester College. He began his architectural career at age 17 by joining the Abraham M. Radcliffe office in St. Paul. In 1878, Gilbert enrolled in the architecture program at MIT.

Minnesota career

Gilbert later worked for a time with the firm of McKim, Mead, and White before starting a practice in St. Paul with James Knox Taylor. He was commissioned to design a number of railroad stations, including those in Anoka, Willmar and the still extant Little Falls depot. He won a series of house and office-building commissions in Minnesota: the Endicott Building in St. Paul is still regarded as a gem. As a Minnesota architect he was best known for his design of the Minnesota State Capitol dome and the downtown St. Paul Endicott Building. His goal was to move to New York City and gain a national reputation, but he remained in Minnesota from 1882 until 1898. Many of his Minnesota buildings are still standing, including more than a dozen private residences (especially those on St. Paul's Summit Avenue), several churches featuring rich textures and colors, resort summer homes, warehouses, and railroad depots in Anoka, Willmar, and Little Falls.

National reputation

The completion of the Minnesota capitol gave Gilbert his national reputation and in 1898 he permanently moved his base to New York. His break-through commission was the design of the Alexander Hamilton U.S. Custom House in New York City (now housing the George Gustav Heye Center). Gilbert served on the U.S. Commission of Fine Arts from 1910 to 1916. In 1906 he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1908. Gilbert served as President of the Academy from 1926 to 1933.

Gilbert's Woolworth Building in New York City was the world's tallest building when it was built in 1913

The top of the Woolworth Building

Historical impact

Gilbert was a skyscraper pioneer; when designing the Woolworth Building he moved into unproven ground — though he certainly was aware of the ground-breaking work done by Chicago architects on skyscrapers and once discussed merging firms with the legendary Daniel Burnham — and his technique of cladding a steel frame became the model for decades. Modernists embraced his work: John Marin painted it several times; even Frank Lloyd Wright praised the lines of the building, though he decried the ornamentation.

Gilbert was one of the first celebrity architects in America, designing skyscrapers in New York City and Cincinnati, campus buildings at Oberlin College and the University of Texas at Austin, state capitols in Minnesota and West Virginia, the support towers of the George Washington Bridge, various railroad stations (including the New Haven Union Station), and the United States Supreme Court building in Washington, D.C.. His reputation declined among some professionals during the age of Modernism, but he was on the design committee that guided and eventually approved the modernist design of Manhattan's groundbreaking Rockefeller Center: when considering Gilbert's body of works as whole, it is more eclectic than many critics admit. In particular, his Union Station in New Haven lacks the embellishments common of the Beaux-Arts period, and contains the simple lines common in Modernism.

Gilbert wrote to a colleague, "I sometimes wish I had never built the Woolworth Building because I fear it may be regarded as my only work and you and I both know that whatever it may be in dimension and in certain lines it is after all only skyscraper."

Gilbert's two buildings on the University of Texas at Austin campus, Sutton Hall (1918) and Battle Hall (1911), are widely recognized by architectural historians as among the finest works of architecture in the state. Designed in a Spanish-Mediterranean revival style, the two buildings became the stylistic basis for the later expansion of the university in the 1920s and 1930s and helped popularize the style throughout the state.

Archives

Gilbert's drawings and correspondence are preserved at the New-York Historical Society, the Minnesota Historical Society, and the Library of Congress.

Notable works

Battle Hall

United States Supreme Court Building

The Allen Memorial Art Museum at Oberlin College

Chase Building

• Saint Paul Seminary, Saint Paul, Minnesota.
  • Cretin Hall, Loras Hall, the Service Center, a classroom building, the refectory building, the administration building in 1894, and Grace Hall in 1913 were commissioned by James J. Hill. Only Cretin, Loras, the Service Center, and Grace still stand.
• Minnesota State Capitol, Saint Paul, Minnesota, 1895–1905.
  • Designed in High Renaissance style, the building is not merely a replica of the United States Capitol. Local newspapers made a fuss when Gilbert sent to Georgia for marble, but the result, in which a hemispherical dome caps a high drum not unlike that of St. Peter's Basilica, crowning a building housing the bicameral legislature and the state supreme court, was so nobly handsome that West Virginia and Arkansas contracted for Gilbert capitols as well. Its brick dome is held in hoops of steel.
• St. Clement's Episcopal Church, St. Paul, Minnesota, 1895.
  • Designed in the traditional English country church style, with a lychgate and close, bell tower, and parish hall (renovated in 2006). Funded by a generous donation from Mrs. Theodore Eaton, widow of the rector of St. Clement's Episcopal Church in New York City. Includes original furniture, baptismal font, encaustic tile floor in choir, elaborate rood screen, linen-fold paneling, and parquet oak floor in sanctuary. The altar features Tiffany Studios stained glass window depicting the empty cross.
• The Broadway-Chambers Building (277 Broadway), Manhattan, 1899–1900.
  • Gilbert's first building in New York City.
• Alexander Hamilton U.S. Custom House, Manhattan, 1902–1907.
  • Facing Bowling Green park in Lower Manhattan
• Saint Louis Art Museum (Palace of the Fine Arts), St. Louis, Missouri, 1904
  • Built for the 1904 Louisiana Purchase Exposition in St. Louis and the only major building of the fair built as a permanent structure.
• 90 West Street, New York City, Manhattan, 1905–1907.
  • Severely damaged during the September 11, 2001 attacks, this building in lower Manhattan has since been completely restored.
• Designs for 12 local stations on the New York, New Haven and Hartford Railroad in the Bronx and Westchester County, New York, 1908. Not all were built, and only four were extant in 2014, all in the Bronx: the Westchester Avenue Station and Bartow Station are in ruins, and the Morris Park and Hunts Point stations have been converted to other uses. All ceased to be used as railroad stations by the late 1930s.
• Metals Bank Building, Butte, Montana, 1906.
  • Commissioned by F. Augustus Heinze, this eight-story low-rise building has an internal steel frame. It was the second to be built in Butte after the 1901 Hirbour Building, which also has eight stories.
• A series of master plans for the Minneapolis campus of the University of Minnesota, 1907.
• Spalding Building, Portland, Oregon, 1911.
  • A 12-story early skyscraper based on the construction principles of a classical column.
• Battle Hall, Austin, Texas, 1911.
  • For the University of Texas at Austin.
• New Haven Free Public Library, Mary E. Ives Memorial Library
  • At the corner of Elm and Temple Streets in downtown New Haven, architect Gilbert designed the brick and marble building to harmonize with the traditional architecture of New Haven, and especially with the United Church nearby. The building was formally dedicated to the City of New Haven on May 27, 1911.
• St. Louis Public Library, St. Louis, Missouri, 1912
  • The main library for the city's public library system, in a severe classicizing style, has an oval central pavilion surrounded by four light courts. The outer facades of the free-standing building are of lightly rusticated Maine granite. The Olive Street front is disposed like a colossal arcade, with contrasting marble bas-relief panels. A projecting three-bay central block, like a pared-down triumphal arch, provides a monumental entrance. At the rear the Central Library faced a sunken garden. The interiors feature some light-transmitting glass floors. The ceiling of the Periodicals Room is modified from Michelangelo's ceiling in the Laurentian Library.
• Woolworth Building, Manhattan, 1913.
  • A Gothic Revival skyscraper clad in glazed terracotta panels, it was the tallest building in the world when built. Bas-reliefs in the lobby depict Woolworth and Gilbert with Woolworth holding nickels and dimes.
• PNC Tower, Cincinnati.
  • Originally built as the headquarters for the Union Central Life Insurance Company.
• Fountain, Ridgefield, Connecticut, 1914–16.
  • This fountain, at the intersection of Routes 35 and 33, was designed and donated to the town by Cass Gilbert, who had a home within sight of the intersection. In 2004, a drunk driver crashed into the fountain, heavily damaging it; the fountain was rebuilt, raised higher, and surrounded by protective plantings, and it is still functioning today.
• Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, 1917
• Chase Headquarters Building, Waterbury, Connecticut, 1917-1919.
  • This building was designed as the headquarters of the Chase Company and forms part of the Waterbury Municipal Center Complex, a unique concentration of Gilbert's architecture comprising the Waterbury City Hall, the Chase Bank Building and the Chase company headquarters, Chase's house, a dispensary and Lincoln House, a headquarters building for the city's charities.
• Brooklyn Army Terminal, Sunset Park area of Brooklyn, NY, 1918.
• Treasury Annex, Lafayette Park, Washington, D.C., 1919.
• The Detroit Public Library, main branch, 1921.
• The First Division Monument, President's Park, Washington D.C., 1924.
• West Virginia State Capitol, Charleston, West Virginia, 1924–1932.
• The James Scott Memorial Fountain, Belle Isle, Detroit, MI, 1925.
• United States Chamber of Commerce headquarters, Washington, D.C., 1925.
• Plans for cladding the George Washington Bridge support towers, New York City, in masonry, 1926. Not carried out.
• New York Life Building, 1926.
• Gibraltar Building, 1927. headquarters for Prudential Insurance in Newark
• Embassy of the United States in Ottawa, Ottawa, 1932.
• United States Supreme Court Building, Washington, D.C., 1935.
  • Gilbert's last major project, guided to completion by his son, Cass Gilbert Jr. He died a year before it was completed. A vast Roman temple in the Corinthian order is penetrated by a cross range articulated with pilasters in very low relief. The central tablet in the richly sculpted frieze reads EQUAL JUSTICE UNDER LAW. His design for the U.S. Supreme Court chambers was based upon his design for the West Virginia Supreme Court of Appeals at the state capitol in Charleston. The pediment sculptures Liberty attended by order and Authority (great lawgivers Moses, Confucius, and Solon are on the West Portico) were executed by Hermon Atkins MacNeil.
• Thurgood Marshall United States Courthouse, Manhattan, 1933.

Gallery

• 

  Minnesota State Capitol (1895–1905)

• St louis Art Museum.jpg

  St. Louis Art Museum, built for the 1904 World's Fair

• 

  The Alexander Hamilton U.S. Custom House (1907)

• Spalding Building - Portland Oregon.jpg

  Spalding Building (1911)

• 

  Treasury Annex (1919)

• 

  Detroit Public Library (1921)
  (full image)

• 

  United States Chamber of Commerce headquarters (1925)

• 

  New York Life Insurance Building (1926)

• Woolworth bldg nov2005d.jpg

  A view looking up at the Woolworth Building

Name confusion with C.P.H. Gilbert

Cass Gilbert is often confused with Charles Pierrepont Henry Gilbert, another prominent architect of the time. Cass Gilbert designed the famous Woolworth Building skyscraper on Broadway for Frank W. Woolworth, while Woolworth's personal mansion was designed by C.P.H. Gilbert. The Ukrainian Institute building on Manhattan's 5th Avenue is the work of C.P.H. Gilbert, and often incorrectly attributed to Cass Gilbert.

Cass Gilbert should also not be confused with his son, architect Cass Gilbert, Jr.

References

Notes

Further reading

• Christen, Barbara S. and Flanders, Steven (editors). Cass Gilbert, Life and Work: Architect of the Public Domain New York: W.W. Norton, 2001.
• Moutschen, Joseph. Architecture américaine – Une interview de l'architecte qui a construit la plus haute maison du monde (Cass Gilbert); in L'Equerre: Janvier 1930 p. 177; Février 1930 p. 187; Mars 1930, p. 196; L'Equerre, 1928-1939; Edition Foure-Tout, 2010, pp. 1350; isbn: 978-2-930525-12-9

External links

• Cass Gilbert at the archINFORM database.
• Cass Gilbert Society
• West Hails East- Cass Gilbert in Minnesota article by Sharon Irish

Architecture

• Architectural tour of the US Supreme Court Building
• New York Architecture Images-Cass Gilbert

Archival collections

• Cass Gilbert Collection, 1897-1936 Archives Center, National Museum of American History
• Cass Gilbert Papers, Minnesota Historical Society.
• Guide to the Cass Gilbert collection, 2005 Abstract of the Gilbert papers from the New-York Historical Society