Art horror

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File:Jessica Harper in Suspiria.jpg
Italian film Suspiria (1977) and its 2018 remake have both been described as artistic horror films for their stylistic cinematography.[1][2]

Art horror or arthouse horror (sometimes called elevated horror)[3][4][5] is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror.

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Characteristics

Art-horror films tend to rely on atmosphere building, psychological character development, cinematic style and philosophical themes for effect – rather than straightforward scares.[1][4]

Art-horror films have been described as "a fascinating byproduct of the collision of art and commerce, of genre convention and personal vision".[1] Historically, the genre was loosely related to J-horror and Italian Giallo.[1] In the 2000s, a movement of transgressive films in France known as "New French Extremity" has been described as an arthouse horror film movement.[6]

Although commentators have suggested some horror films have exemplified qualities applicable to "art horror" for many decades, the term became more widely used during the 2010s, with independent film company A24 credited with popularising the genre.[4][5][7] The term "elevated horror" was first used in the early 2010s, and subsequently has been the subject of criticism and debate among film critics as it became more widely used.[8][9][10]

In his book Art-Horror (2023) Adrian Gmelch identifies 4 aspects that can be an orientation for the definition of art-horror (no claim to present a universal definition): (1) Film historical and artistic imprinting, (2) horror as a message vehicle, (3) recurring motifs and stylistic elements as well as (4) unique visual identity and aesthetics.[11]

Notable art horror films

20th century

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21st century

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Notable directors

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See also

References

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  6. 6.0 6.1 6.2 6.3 6.4 6.5 Lua error in package.lua at line 80: module 'strict' not found.
  7. Best Horror Movies – 100 Scary Movies To Watch Now, Ranked By... Time Out
  8. Lua error in package.lua at line 80: module 'strict' not found.
  9. 9.0 9.1 Lua error in package.lua at line 80: module 'strict' not found.
  10. Why Elevated Horror Is an Unnecessary and Elitist Term – Horror Obsessive
  11. 11.0 11.1 11.2 11.3 Lua error in package.lua at line 80: module 'strict' not found.
  12. 12.00 12.01 12.02 12.03 12.04 12.05 12.06 12.07 12.08 12.09 12.10 12.11 12.12 12.13 12.14 12.15 12.16 12.17 12.18 12.19 12.20 12.21 12.22 Lua error in package.lua at line 80: module 'strict' not found.
  13. 13.00 13.01 13.02 13.03 13.04 13.05 13.06 13.07 13.08 13.09 13.10 13.11 13.12 13.13 13.14 13.15 13.16 13.17 13.18 13.19 13.20 The Criterion Channel's October 2023 Lineup|Current|The Criterion Collection
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  16. 16.00 16.01 16.02 16.03 16.04 16.05 16.06 16.07 16.08 16.09 16.10 16.11 16.12 16.13 16.14 16.15 Art-House Horror - The Criterion Channel
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  20. The Driller Killer – Movie Reviews and Movie Ratings – TV Guide
  21. The Driller Killer – Enzian Theater
  22. 11 Art-House Horror Movie To Watch This Halloween Instead Of The Typical Slashers – HuffPost
  23. Lua error in package.lua at line 80: module 'strict' not found.
  24. Cut by Cut: Parallel Editing in The Hunger (1983) – Horror Movie Reviews – Horror Movieroom
  25. THE HUNGER (1983) – Horror Cult Films
  26. 10 of the Best Asian Arthouse Horror Movies For a Visually Terrifying Halloween|Collider
  27. The strange, surprising legacy of Jacob’s Ladder — Little White Lies
  28. Pulling Focus: Safe (1995) — Taste of Cinema
  29. Lua error in package.lua at line 80: module 'strict' not found.
  30. Scary Stories for the Thinking Man – The Austin Chronicle
  31. 31.0 31.1 The 10 Best Arthouse Horror Films to Stream | The Manual
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  35. 35.0 35.1 Trippy horror/fantasy Beyond the Black Rainbow gets DVD/Blu-ray release date – JoBlo
  36. 36.0 36.1 36.2 36.3 Lua error in package.lua at line 80: module 'strict' not found.
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  38. 'It Follows' Box Office: How Indie Horror Film Became Cult Sensation – Deadline
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  59. Abel Ferrara interview: Driller Killer, Bad Lieutenant, Body Snatchers|Den of Geek
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  62. Antichrist|Austin Film Society

Further reading

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  • Stuart Hanscomb (2010). "Existentialism and Art-Horror", Sartre Studies International 16:1, pp. 1–23.

External links