Wosene Worke Kosrof
Wosene Worke Kosrof (born 1950)[2] is an Ethiopian painter and mixed-media artist.
Wosene (his professional name) was awarded his B.F.A. from the School of Fine Arts in Addis Ababa in 1972, and received an M.F.A. from Howard University in 1980.[2] He is best known for his inventive renderings of the Amharic script; and he is the first Ethiopian-born contemporary artist to incorporate these script symbols as a core aesthetic element in fine art paintings. His recognizable "signature" emerges by distorting, elongating, dissecting, and reassembling the symbols as images. Wosene also uses the language Ge'ez in his work, which is the Ethiopian Orthodox Church's liturgical language.[3]
Wosene likes to examine the relationship between sound and color in art. He says jazz is especially important in his own creative process.[3]
Wosene's paintings, in his words, "...create a visible, interacting surface - like an icon available to everyone; it allows them to have dialogue, to take them into memory..."
Wosene reflected on the effects of learning to see by viewing art in context of relationship between the risks of adolescence and the risks of art and stated: "Seeing differently, we then begin questioning our habits of mind and feel a new urge to create visions and images of what can be."[4]
Wosene's works are in museum collections, including the Smithsonian National Museum of African Art (DC); The Newark Museum (NJ); Neuberger Museum (NY); Indianapolis Museum of Art (IN); Birmingham Museum of Art (AL); Fowler Museum, UCLA (CA); Samuel P. Harn Museum (FL); the National Museum (Addis Ababa); and in many international private and corporate collections. He exhibits widely in the US, and he works from his studio in Oakland, CA.
References
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- ↑ The Pleasures and Danger of Learning to See, WW KOSROF - EDUCATION THROUGH ART, 2006
External links
- Official site
- Words: From Spoken to Seen. The Art of Wosene Worke Kosrof - Guilford College, Art Gallery.
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