Moshe Safdie

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Moshe Safdie
File:Moshe Safdie by Michal Ronnen Safdie.jpg
Safdie in 2017
Born (1938-07-14) July 14, 1938 (age 86)
Haifa, British Mandate of Palestine (now Israel)
Nationality Israeli, Canadian, American
Alma mater McGill School of Architecture
Occupation Architect, urban planner, educator, theorist, author
Awards Gold Medal, American Institute of Architects
Champion of the Order of Canada
Gold Medal, Royal Architectural Institute of Canada
Lifetime Achievement, Cooper Hewitt, Smithsonian Design Museum
Wolf Prize
See All
Website safdiearchitects.com
Practice Safdie Architects
Projects Habitat 67
National Gallery of Canada
Salt Lake City Public Library
Yad Vashem Holocaust History Museum
Marina Bay Sands
United States Institute of Peace Headquarters
Kauffman Center for the Performing Arts
Crystal Bridges Museum of American Art
Virasat-e-Khalsa
Mamilla Center
Jewel Changi Airport
Raffles City Chongqing
See All

Lua error in package.lua at line 80: module 'strict' not found. Moshe Safdie CC FAIA FRAIC OAA (Hebrew: משה ספדיה‎; born July 14, 1938) is an architect, urban planner, educator, theorist, and author who claims Israeli, Canadian and American citizenship.[1] Over a 50-year career, Safdie has explored the essential principles of socially responsible design through a comprehensive and humane design philosophy. Safdie is an important architect of the second half of the twentieth and early twenty-first century because of his multiculturalism, commitment to geographic, social and cultural elements that define a place, and constant search for typological and technological innovation.[2][3] Safdie's projects include cultural, educational, and civic institutions; neighborhoods and public parks; housing; mixed-use urban centers; airports; and master plans for both existing communities and entirely new cities.[4] Safdie has had projects in North and South America, the Middle East, and throughout Asia. He is most identified with designing Marina Bay Sands and Jewel Changi Airport, as well as his debut project, Habitat 67, originally conceived as his thesis at McGill University. This led to his international career.[5] Safdie is considered a thought leader and his exemplary projects have inspired generations of architects and architecture.[6][7]

Early life and education

Moshe Safdie was born in Haifa, British Mandate of Palestine in 1938, to a Sephardic Jewish family of Syrian-Jewish and Lebanese-Jewish descent.[8] He was nine years old, living in Haifa, when, on May 14, 1948, David Ben-Gurion proclaimed the Declaration of the Establishment of the State of Israel.[9] Safdie attended Reali High School. He lived in a kibbutz, working in the countryside.[10] He tended goats and kept bees. In 1953, the Israeli government restricted imports in response to an economic and currency crisis, which severely affected Safdie's father's textile business.[11] Consequently, when Safdie was age 15, his father moved the family and immigrated to Montreal, Quebec, Canada. Safdie completed pre-university training at Westmount High School.[12]

In September 1955 he registered in McGill University Faculty of Engineering's six-year architecture degree program. In his fifth year, Safdie was named University Scholar. The following summer, he was awarded the Canada Mortgage and Housing Corporation (CMHC) Scholarship. He traveled across North America to observe housing developments in major cities.[13] In his final year, Safdie developed his thesis titled "A Case for City Living" and described as "A Three-Dimensional Modular Building System".[14] He received his degree in 1961.[15] Two years later, while apprenticing with Louis Kahn, Safdie at age 23 was invited by his thesis advisor, Sandy van Ginkel, to submit his modular project for the World Exposition of 1967, to be held in Montreal.[16] It became known as Habitat 67.

Career

Encompassing more than seventy-five completed buildings, communities, and master plans on three continents and an even greater number of projects and competition entries, Safdie's career has evolved in a series of distinct phases.[17]

In 1964, Safdie established his own firm in Montreal to undertake work on Habitat 67, an adaptation of his thesis at McGill University.[18] Habitat 67 was selected by Canada as a central feature of Expo 67; it pioneered the design and implementation of three-dimensional, prefabricated units for living. Safdie designed the complex as a neighborhood with open spaces, garden terraces, and many other amenities typically reserved for the single-family home, and adapted to a high-density urban environment.[19] This was an important development in architectural history. This seminal project launched the first phase of Safdie's work: A new kind of urbanism.

In the second phase of his career, Safdie established a branch office of his practice in Jerusalem in 1970.[20] During this period, Safdie combined his interests in social activism and advanced technologies with profound respect for historic and regional context.[21] He worked on the restoration of the Old City and the construction of Mamilla Center, linking old and new cities. Other significant works in Israel include the New City of Modi’in, the Yad Vashem Holocaust History Museum, Yitzhak Rabin Center for Israel Studies, Ben Gurion International Airport, National Campus for the Archeology of Israel, multiple projects for Hebrew Union College, and others. During this period, Safdie also worked with leaders in Senegal and Iran.[22]

In the third phase of his career, Safdie received commissions for significant buildings across North America. He took his interest in geometry as a generator of architectural shape in a new direction, combining it with a focus on sensual and symbolic architectural experience, and working to understand clients’ aspirations.[23] He expressed civic and national identities in his cultural projects.[24] Safdie designed the National Gallery of Canada, the Quebec Museum of Civilization, and Vancouver Library Square. Other notable cultural works include: The Khalsa Heritage Memorial Complex, the national museum of the Sikh people in Punjab, India; the United States Institute of Peace Headquarters on the Mall in Washington, DC; the Kauffman Center for the Performing Arts in Kansas City, Missouri; and the Crystal Bridges Museum of American Art in Bentonville, Arkansas.

Safdie's twenty-first century projects are characterized by greater geographic range. He has worked on projects in emerging markets, and brought projects to completion in shorter time spans, at larger scales.[25] These landmark developments include: Marina Bay Sands, a mixed-use resort integrated with Singapore's iconic Skypark; Jewel Changi Airport, a new community-centric airport typology combining marketplace and garden; and Raffles City Chongqing, a mixed-use development featuring over one million square meters of housing, office, retail, transportation, and hotel programs. He created the world's longest ‘Horizontal Skyscraper.’[26] Safdie and his team have used skybridges and multi-level connectivity to make skyscrapers more accessible.[27][28]

Practice

Moshe Safdie is the Founding Principal and Lead Designer at Safdie Architects, founded in 1964 to realize Habitat 67.[29] Safdie Architects is a research-oriented architecture and urban design studio active in a wide variety of project types, scales, and sectors. Safdie Architects’ global projects are directed from its headquarters in Boston, Massachusetts, with satellite offices in Jerusalem, Toronto, Shanghai, and Singapore.[30] Projects are designed, managed, and executed by a global team of fewer than 100. The practice is organized as a partnership and operates in the model of an intimate design studio environment.[31] The firm's partners – many of whom joined Safdie after graduation – have been working together for decades.[32]

Within his office, Safdie formed a research program to pursue advanced investigation of design topics. The practice-oriented fellowship explores speculative ideas outside normal business practice constraints. Fellows work independently with Safdie and firm principals to formulate specific proposals and research plans. The salaried position is located in-residence, with full access to project teams and outside consultants. Past fellowships include Habitat of the Future, Mobility on Demand, and Tall Buildings in the City.[33]

Academia

In 1978, after teaching at McGill, Ben Gurion, and Yale universities, Safdie was appointed Director of the Urban Design Program at Harvard University's Graduate School of Design (GSD) and moved to Boston, Massachusetts. He served as Director until 1984. From 1984 to 1989, he was the Ian Woodner Professor of Architecture and Urban Design at Harvard.[34] Safdie continues to work closely with the GSD, frequently teaching design studio; Notably, Rethinking the Humanist High-Rise (2019) and Rethinking Hudson Yards (2017).[35][36] Safdie regularly travels to, speaks at, and/or Chairs conferences engaged in industry-defining discussions on architecture and beyond.

Personal life

In 1959, Safdie married Nina Nusynowicz, a Polish-Israeli Holocaust survivor. Safdie and Nusynowicz have two children, a daughter and son, born during the inception and erection of Habitat 67. Just before the opening, Safdie and his young family moved into the development. His daughter Taal is an architect in San Diego, a partner of the firm Safdie Rabines Architects; His son Oren is a playwright who has written several plays about architecture. Safdie's great-nephews, Josh and Benny, are independent filmmakers. Safdie and Nusynowicz divorced in 1981.

In 1981, Safdie married Michal Ronnen, a Jerusalem-born photographer and daughter of artist Vera Ronnen. Safdie and Ronnen have two daughters, Carmelle and Yasmin. Carmelle is an artist, and Yasmin is a social worker.

Individual honors

Safdie is the recipient of architectural, academic and civic honors – including several honorary doctorates. He was awarded the Companion of the Order of Canada, the Gold Medal from the Royal Architectural Institute of Canada and the American Institute of Architects, the National Design Award for Lifetime Achievement by the Cooper Hewitt Smithsonian, and the Wolf Prize in Architecture.[37]

Published works

Books

Principal publications on Moshe Safdie

  • Jewel Changi Airport. Melbourne, Victoria: Images Publishing Group, 2020.
  • Safdie. Mulgrave, Victoria: Images Publishing Group, 2014.
  • Reaching for the Sky: The Marina Bay Sands Singapore. Singapore: ORO Editions, 2013.
  • Peace Building: The Mission, Work, and Architecture of the United States Institute of Peace. Dalton, MA: The Studley Press, 2011.
  • Valentin, Nilda, ed. Moshe Safdie. Rome: Edizione Kappa, 2010.
  • Moshe Safdie I. Mulgrave, Victoria: Images Publishing Group, 2009.
  • Moshe Safdie II. Mulgrave, Victoria: Images Publishing Group, 2009.
  • Global Citizen: The Architecture of Moshe Safdie. New York:Scala Publishers, Ltd., 2007.
  • Yad Vashem: Moshe Safdie – The Architecture of Memory. Baden, Switzerland: Lars Müller Publishers, 2006.
  • Moshe Safdie, Museum Architecture 1971–1988. Tel Aviv: Genia Schreiber University Art Gallery, Tel Aviv University, 1998.
  • Kohn, Wendy, ed. Moshe Safdie. London: Academy Editions, 1996.
  • Moshe Safdie: Buildings and Projects, 1967–1992. Montreal: McGill-Queens University Press, 1996.
  • Rybczynski, Witold. A Place for Art: The Architecture of the National Gallery of Canada. Ottawa: National Gallery of Canada, 1993.
  • Montreal Museum of Fine Arts: Jean-Noël Desmarais Pavilion. Montreal: Montreal Museum of Arts, 1991.

Exhibitions

Films

Archives

The Moshe Safdie Archive, donated to McGill University by the architect in 1990, is one of the most extensive individual collections of architectural documentation in Canada.[38] Comprising material from 235 projects, the Moshe Safdie Archive records the progression of Safdie's career from his first unpublished university papers to Safdie Architects' current projects. The collection includes over 140,000 drawings, over 200 architectural models, extensive project files, audio visual and digital material, as well as over 100,000 project photos and travel slides, 215 personal sketchbooks, and 2,250 large sketches.[39] Administered by the McGill University Library, a list of physical holdings are available to researchers.

Select projects

Gallery

References

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External links

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