File:Blue Poles (Jackson Pollock painting).jpg
Fair use rationale Blue Poles
Non-free media information and use rationale for Blue Poles | |
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Description |
This image is a faithful digitalization of Blue Poles (original title: Number 11, 1952), an abstract painting from 1952 by the American artist Jackson Pollock |
Source |
The National Gallery of Australia, object record NGA 1974.264 http://nga.gov.au/international/catalogue/Detail.cfm?IRN=36334&MnuID=2&GalID=1 |
Article | |
Portion used |
The entire image is used to identify the subject, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image. |
Low resolution? |
The copy is of sufficient resolution for commentary and identification but lower resolution than the original. Copies made from it will be of inferior quality, unsuitable for uses that would compete with any commercial purpose of the photograph. |
Purpose of use |
Identification and critical commentary in the Blue Poles article, a subject of public interest. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed next to the associated material discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for. |
Replaceable? |
Because the image is non-reproducible, there is no free equivalent. Any substitute that is not a derivative work would fail to convey the meaning intended, would tarnish or misrepresent its image, or would fail its purpose of identification or commentary. |
Other information |
Use of the historic image in the article complies with Wikipedia non-free content policy and fair use under United States copyright law as described above. The image meets general Wikipedia content requirements and is encyclopaedic. |
Non-free media rationale for Visual art of The United States | |
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Article | |
Purpose of use |
It is representative of work of this date, the subject of the article. The image is low resolution and unsuitable for commercial purposes. It is representative of Abstract Expressionism, discussed in the article. |
Replaceable? |
No free-use images are available. |
Non-free media information and use rationale for Jackson Pollock | |
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Description |
Blue Poles, by Jackson Pollock, 1952, Enamel on canvas |
Source |
The National Gallery of Australia, object record NGA 1974.264 http://nga.gov.au/international/catalogue/Detail.cfm?IRN=36334&MnuID=2&GalID=1 |
Article | |
Portion used |
all |
Low resolution? |
y |
Purpose of use |
To illustrate an important painting that is one of the key works of the subject. The image allows the viewer to see what the subjects work is. Without it, the viewer is unable to picture the work of art, detrimentally affecting the viewers understanding. |
Replaceable? |
no |
Other information |
The image linked here is claimed to be used under fair use in Jackson Pollock as:
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Non-free media rationale for History of painting | |
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Article | |
Purpose of use |
It is representative of the work of Jackson Pollock, the subject of the article. |
Replaceable? |
No free-use images are available. |
Non-free media rationale for Western painting | |
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Article | |
Purpose of use |
It is representative of the work of Jackson Pollock, the subject of the article. |
Replaceable? |
No free-use images are available. |
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Non-free media rationale for Modernism | |
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Article | |
Purpose of use |
It is representative of the work of Jackson Pollock, the subject of the article. |
Replaceable? |
No free-use images are available. |
Non-free media rationale for 20th-century Western painting | |
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Article | |
Purpose of use |
It is representative of the work of Jackson Pollock, the subject of the article. |
Replaceable? |
No free-use images are available. |
Licensing
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 00:45, 27 February 2017 | ![]() | 300 × 128 (34 KB) | Crew (talk | contribs) |
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File usage
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